Ever since Errol Flynn cavorted here with his
Hollywood pals in the 1930s and '40s, travellers have
regarded Jamaica as one of the most alluring of
the Caribbean islands. Its beaches, mountains and carnal red sunsets
regularly appear in tourist brochures
promising paradise. Unlike other nearby islands, it
caters to all comers: you can choose a private villa
with your own private beach; laugh your vacation away
at a party-hearty resort; throw yourself into the thick
of the island's life; or concentrate on experiencing
the three Rs: reggae, reefers and rum. Jamaica's
character arises from its complex culture, which
aspires to be African in defiance of both the island's
geography and its colonial history. Jamaicans may have
a quick wit and a ready smile, but this is not the
happy-go-lucky island of Bacardi adverts and Harry
Belafonte numbers. The island's sombre history is
rooted in the sugar-plantation economy, and the slave
era still weighs heavily on the national psyche.
Rastafarianism may mean easy skankin' to some, but
its confused expression of love, hope, anger and social
discontent encapsulates modern Jamaica - a densely
populated, poverty-ridden country that is struggling
to escape dependency and debt.
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